maryannedavis’s posterous

New Work in Chicago at Grasshopper510

Just sent off a new batch of serveware to Chicago. Just in time for the holidays!

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Students Design Neighborhood Currencies — School of Visual Arts — MFA in Interaction Design

What a great class exploration. Some very lovely solutions emerge in this local currency experiment.

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RF Paints Blog - Art for Animals

This was a wonderful school program followed by an art exhibit which raised money for animal rescuers and medical expenses for animals in rescue situations in upstate New York. www.artforanimals.org

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Client just picked up 6 dinner plates and 6 cake plates. Ordered bowls etc. to build on initial dinnerware idea. 4 colors.

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diy project: kate’s walnut charms *love*

goldwalnutcharm


i love nut season!! something about the textures and shapes of all the different shells really gets me excited for fall. i went ahead and did the entire bag of walnuts in preparation for gift wrapping, and a variation on the traditional cranberry garland for the holidays. once you start making these beware! it is very easy to get carried away and want to tie a walnut to everything! have fun! -kate

CLICK HERE for the full project after the jump!

materials:
1. walnuts, whole in shell
2. thick gauge wire
3. pliers
4. hot glue
5. spray paint (optional)

walnutsprocess

instructions:
1. cut the wire into 1.5 inch strips.
2. use the pliers to bend one end of each strip into a small loop and leave about an inch of straight wire at the end.
3. dip the straight end of each wire strip into the hot glue tip and squeeze a little to apply a small blob of glue.
4. stick the wire end with the glue down into the center of the top of the nut where the shell halves meet. press until the loop sits right against the top of the nut.
5. use another small piece of wire to pull away any excess glue that collects at the top.
6. if you want to paint your nuts, place them in a cardboard box and spray evenly with a couple coats of spray paint. allow to dry.

YOU’RE DONE!

walnutcharms


redwalnutcharm


plainwalnutcharm

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Transition Culture

Love this. Watch. Do.

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Simple good things for good people

Robin Petravic, owner of Heath Ceramics, spoke at the American Craft Council’s conference, Creating a New Craft Culture in Minneapolis October 17. This is culled from my notes of his talk. Click on the link for the rest of the talk.

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Creating a New Craft Culture Debrief: Rob Walker

Tuesday, October 20th, 2009

20080404_walker_rob_18-1Rob Walker spoke to the gathering on Saturday morning. As a fan and sometime reader of his column, “Consumed“, I was excited to hear him speak. He is the author of Handmade 2.0 and Buying in.

Mr. Walker states that he is interested

in the point of view of the buyer.

Here are 3 trends he points out that may or may not be true.

1: Authenticity!
Craft as a superior response to mass production. Consumers are concerned about how things are made, under what conditions and where they come from. There is a growing anxiety about the how what and where of products.

People want efficiency, but the rejection of mass production is highly selective. (he puts a photo of an iPhone on the screen).
2: Ethics!
Today’s consumer cares about labor. The notion of ethical consumption goes back to labor movements, civil rights, etc. He mentions the Boston Tea Party as an early protest against the unethical, unfair importation of tea.

The Consumer protection act has been in decline since the 1980’s which has given advocates like Ralph Nader stronger platforms and greater need in society.

Wanting to feel like an individual while being part of something.

3: Quality!
The idea of being “inclusive” is good but raises the ire of craft fundamentalists.

The Austin Craft Mafia began to attract attention and create meaningful interchanges when they made truly helpful tutorials and put them up on You Tube.

The urge to compete vs. the urge to cooperate struggle and raise a fertile soil from which to grow.

Walker says the story behind behind a handmade object is what sets it apart from the mass produced object. But then there is the picture of the iPhone again.

Handmade objects have a personal story, one of the making, connecting them to the maker. Walker tells us we need to focus on the story of the person we are making for. The maker is less important than the buyer.

These definitions of craft are becoming a bigger part of larger stories. Can they expand by connecting the DIY movement with the “high craft” world? Multiple versions of craft is just fine. Opening conversations that address these tensions can lead to a revitalized field.

Walker has included some links specific to his talk on his blog.

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Studio Pottery Invitational: Ferrin Gallery: Opening Oct 10 4-6PM

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more poop about birds: some fun and facts HT @margaretroach

hysterical.

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